I rarely go into a shoot with a fixed notion of how I want it to go, or how I want the images to look. I often base my techniques, color palette, and post processing on what the moment dictates…
Read MoreThe Negative Side of Social Media : Commissioned by Unsplash
As some of my longtime followers know, I’ve had a complicated relationship with social media. In 2019 I was experiencing so much anxiety that I permanently deleted all of my accounts (60,000 followers over 3 platforms) with no plans to return. I spent the next year off the grid. Though I’d already been in therapy for years I also began going to a support group for adult survivors of childhood abuse (ASCA). I started climbing and began regularly cycling again. The combination of processing trauma, moving my body, and removing myself from situations and relationships that exacerbated my anxieties, I began to heal…
Read MoreMy Colorful Portrait Shoot for Tech Industry's Sidebar
Back in January I had the privilege of working with Sidebar to create a library of images for their new website launch. I’m so grateful for such a wonderful opportunity and true collaboration with the team at Sidebar as well as the designers and creatives at Mackey Saturday that developed the campaign. Big thanks to @elizabethcareysmith for art directing, @kyleameeks for assisting, @xixstudios for hosting, and all the subjects for bringing power and joy to the shoot.
Read MorePhoto Shoot with Starset for Horizons
Here’s some recent work I did with the band Starset in promotion of their new album, Horizons. Creative direction by Brandon Rike of Tension Division.
Read MoreUsing a Fungus-Filled Lens with Long Exposure and Prisms to Create Psychedelic In-Camera Effects
Whenever I’m doing a personal shoot I try to make at least one small change to a tried-and-true technique in an effort to see how the resulting images differ from previous sessions. For example, let’s say I’m shooting long exposures in a darkened room while my subject is wrapped in strands of LED lights and moving around the room. Each image is different based on their movement, which creates unique light trails. In the following shoot I might have the subject and camera stationary as I swing the strand of LEDs around the room, thus framing the subject in light. Another session might involve me moving my camera while the subject and lights are unmoving. Each tweak of the formula creates dramatically different results and I frequently discover new techniques through these experiments…
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Shoot with Fashion Photographer Gail Shamon
This was a fun, quick little shoot with fellow photographer and friend @gabrielleshamon. Gail did her own hair, makeup, and styling. I did three lighting setups, sticking to a red/yellow/blue color triad. I simply rotated out gels on my main, background, and rim lights for each set. This allowed me to have a broad range of looks that still felt related to each other, all in a short amount of time (I think we shot for about 45 minutes).
Read MoreWhy We Choose to Suffer: Conceptual Portrait for Wall Street Journal
I was recently commissioned to create a conceptual portrait to accompany the @wsj article, “Why We Choose to Suffer.” The essay is an excerpt from Paul Bloom’s upcoming book, The Sweet Spot: The Pleasures of Suffering and the Search for Meaning, which touches on why we humans often choose things that create unpleasant moments for ourselves, and how these moments can ultimately lead to growth and even pleasure…
Bold Colors and Shapes with Ballet Dancer Kristie Latham
My latest shoot with dancing queen, Kristie Latham. We’ve been shooting together for over a decade now and it’s fun to look back at how our work together has evolved over the years. I started off with a simple color and shape study with the Lindsay Adler Optical Spot (Kristie styled her wardrobe). Then I finished the shoot with some long exposure work (I don’t think I’ll ever tire of this technique).
Read MoreAll the Things with Annika
This was my first shoot with Annika Peterson and we did all the things. I started off with some light lighting, using a black fiber optic brush and orange gel from Light Painting Brushes. After that I explored making long exposures while rotating a linear prism FX filter and multi-strobing my flash. Finally, I took some shots with my fungus-filled lens, using shutter drag and an LED with changing colors.
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Images From My Creative Portrait Workshop
This past weekend I hosted a 2-day Creative Portrait workshop at my studio. In an effort to keep the atmosphere intimate and allow for a lot of hands-on time for students, I capped the workshop at 5 students. We covered a range of techniques such as using flags to shape light; color theory; making and using snoots; long exposure portraits; and lighting with projectors. We packed a lot in, as you can see below…
Read MoreThe Score- Head Up Photo Shoot
Grateful for the chance to create photos and motion for @thescoremusic upcoming album cycle. Super cool to work with @jesseleestout and @grantjamesorchard of @metaform.studio on their vision. Thanks to @baileykobelin for assisting and to everyone on the creative team for a great shoot!
Read MoreWhatever it is, the way you tell your story online can make all the difference.
Vesperteen Promo Shoot
My buddy Colin Rigsby has a music project called Vesperteen, and he reached out to me to do a shoot last month. Colin and I go way back. His wife was friends with my wife before I ever met her. I attended his wedding, did several shoots with his old band, House of Heroes, and shared many great moments over the past two decades. It was great to catch up, shared some laughs, and create some beautiful art. We created a wide range of vibrant, kinetic images in promotion of his new music…
Read MoreWhat is Time?
Tryzdin Grubbs (American Idol contestant) Photo Shoot
Tryzdin Grubbs is an uber-talented, 15-year old singer from Columbus. He also just happened to get accepted onto the latest season of American Idol. Before the episode had even aired, Tryzdin popped by my studio for a photo shoot. This was our third shoot in as many years and this one was the most dynamic yet. We’ve both grown quite a bit in our respective crafts and so it was cool to see what new things we were bringing to the shoot, from a personal and professional standpoint. Here are just a few of the different looks that we knocked out in the brief but efficient, one-hour shoot.
Read MoreBehind the Scenes Photo Shoot with Ronnie Radke of Falling in Reverse
Last month I photographed Ronnie Radke of Falling in Reverse at his home in LA. I set up a makeshift studio in his dining room and we knocked out six scenarios in just under three hours…
Read MoreCollaboration with Sustainable Fashion Designer Malvar = Stewart
Celeste Malvar-Stewart is a fashion designer that specializes in using locally-sourced, sustainable materials in the garments she makes. I’ve collaborated with Celeste several times over the years and the thing that I especially love about our shoots is how open she is with the way I interpret her garments. She simply hands me a garment bag filled with delicate treasures and tells me to style and shoot them however I please. I am someone who thrives in situations like this— just improvising and figuring it out as I go. The more I plan ahead, the more anxious I get at all the possible points of failure. If you don’t have a concrete plan you can’t be held responsible if you deviate from it…
Read MorePlants and Plastic with Chyna
I’ve collaborated with Chyna a dozen times now, and we’ve since become friends. She recently came by the studio and we chatted about work, life, and plants, among other things. I had recently propagated one of my plants by splitting it into two pots, one of which I gave to her. Before she left I asked if she would want to do an impromptu shoot with her new green friend. After snapping a few frames with the plant I convinced her to let me shoot some colorful long exposure images…
Read MoreShutter Drag with Window Light / Creating Dappled Light with DIY Reflector
I wanted to create a dappled light effect, similar to sunlight reflected off of windows. I actually came across this effect by accident. I bought some mirror stickers used for crafting, which I adhered to a piece of cardboard. I had scored the cardboard on the back which made it an easy-to-carry tri-fold reflector. The happy accident came about in that the corrugated cardboard texture created the dappled light effect when lit with a bright light source, in this case a flash…
Read MoreTechnophobia: Some of Us Are Looking at the Stars Photo Shoot
I listened to more than my share of darkwave and industrial synth back in the day so I was more than a little stoked when the DC-based duo Technophobia reached out to me to shoot press photos for their upcoming album cycle. They left much of the creative direction up to me, inviting me to “do what I do”, which I interpreted as “whatever I’ve been experimenting with lately”…
Read MoreMake or Die
I recently collaborated with illustrator/designer/friend Dylan Menges. I wanted to explore shooting a subject through plexiglass while they painted and he was the first person that came to mind. Collaboration with another artist really takes a lot of the pressure of me as the photographer. I can give him some basic direction and then just capture the beauty that unfolds before me. An element that I really love but didn’t plan for are all the scuff marks on the plexiglass. It adds such a gorgeous tactility to the images…
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