This was a short, impromptu study of color and mood, with Molly Ridge. Once again I used the Lindsay Adler Optical Spot to create sharp, bold shadows.
Read MoreFemme Fatale Vibes with Molly Ridge
Shoot with Ballerina Francesca Jordan Dugarte
My latest attempt at capturing the beauty of movement over time. Been exploring long exposures while rotating my @prismlensfx linear filter and multi-strobing my flash. Excited at the possibilities! Also really loving the hard light and fast falloff I can get with my @lindsayadler_photo @westcottlighting Optical Spot.
Read MoreAll the Things with Annika
This was my first shoot with Annika Peterson and we did all the things. I started off with some light lighting, using a black fiber optic brush and orange gel from Light Painting Brushes. After that I explored making long exposures while rotating a linear prism FX filter and multi-strobing my flash. Finally, I took some shots with my fungus-filled lens, using shutter drag and an LED with changing colors.
Read MoreThe Unmasking: Shoot, Print, Shoot
Last week I shot had a brief session with @mundermonster. I shot for about five minutes, capturing a range of poses. Then I took a break to import the images, select a favorite, and print it out on an office inkjet printer. Then the shoot resumed and I directed Mary in using the print as a prop. I really love this as a visual metaphor for the perceived self…
Read MoreTim Hortons x Fruit Loops
A few weeks ago I shot a range of social media images for Tim Hortons’ recent crossover with Fruit Loops. When it came to the visual approach I wanted to mimic old print ads from the 50s and 60s, which translates to hard light and shifted color hues. I think it gives the images an elevated look.
Read MoreBlue and Gold
My friend Dylan is an amazing designer and illustrator and he recently hit me up to update his head shot. He uses a certain hue of cyan for his branding which he wanted to implement into the shoot. I decided to also use yellow-gold (the complementary color) and work within that palette for the entire session, changing only the angle or hardness of the light sources. Here are just a few ways to use two colors:
Read MoreNew Creative Portrait Video Tutorial
Hey friends. Just a heads up that I have a new, 5-part video series that delves deep into how I execute creative portraits in my studio. My entire creative process is broken down, from A to Z…
Read MoreShadows and Simplicity
I love the brutality of hard light. Especially when used with a high contrast black and white treatment. Subjects emerge or recede into darkness. Features that might otherwise be missed are accentuated. Everything is stripped down to shapes. All too often I overcomplicate my setups and run the risk of missing the essence of my subject. When I can make myself slow down and simplify, that seems to be where I mot often find truth.
Read MoreMini-Session with Aleksa Palladino
Last month I was in Los Angeles for an editorial shoot with a high profile band. As is the case with high profile clients, delays are expected. The shoot ended up being pushed to the next day, which meant I had to figure out how to make use of my now-empty day. I decided to reach out to my friend Aleksa to see if she was available for a quick photo shoot…
Read MoreMerrill Lynch Atlanta for Barron's / Wall Street Journal
I can think of no better element in a photo shoot than creative freedom and trust. I had precisely that in my shoot for Barron’s last week in Atlanta. Annie Chia, the photo director, sent me a handful of photos of music groups such as Nirvana, The Rolling Stones, and the Velvet Underground as direction for my session with the three investments consultants. The shoot was already off to a great start.
Read MoreProduct Photography: Michael Malul London
I recently shot product and editorial images for Michael Malul London, an emerging fragrance brand. Aside from shooting the standard “soft light on white” ecom shots, I shot a range of of stylistic shots using different colored backdrops and hard light.
Read MoreColor and Shape
I kept it simple and fun for this shoot with model Rachel Luree: crisp shadows, complementary colors, playful poses.