I’m excited to share this editorial that I did for @roadandtrack magazine. I’ve been working with fluids such as food dye and ink a lot lately and decided to use them in this shoot to create an elemental feeling, fitting with the theme of the issue: air. I find a still life to be harder to photograph than portraits because there are no happy accidents. All you get out of a shoot is whatever you put in.
Huge thanks to @cassidyzobl for the trust and opportunity. Swipe for #BehindTheScenes
Coors Light: Hold My Coors Campaign
I recently teamed up with the creatives at Five Hundred Degrees studio to shoot the Hold My Coors campaign for Coors Light. We spent a day on location and a day in studio capturing this clever line of beer accessories. I legit want one of those hoodies now.
Read MoreMichael Malul London Fragrance Campaign Photo Shoot
A few weeks ago I shot product and advertising photos for Michael Malul London fragrances. Not only did I shoot and edit the photos but this was my first time solo-styling a shoot. I shopped for fruits, herbs, and plants, as well as collected a range of organic materials and textured surfaces to help convey the unique notes in each fragrance. The experience of styling felt like equal parts scavenger hunt and art making. I’ve found that creating a compelling still life is exponentially harder than making a portrait since there is no collaborative dynamic with a living subject. Everything that happens in the frame is my doing. It took me back to my days in art school, learning how to create visual movement and balance in a composition. So hard but so fun.
Read MoreProduct Photography: Michael Malul London
I recently shot product and editorial images for Michael Malul London, an emerging fragrance brand. Aside from shooting the standard “soft light on white” ecom shots, I shot a range of of stylistic shots using different colored backdrops and hard light.
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