Back in April I was given the opportunity to work with 3-time Olympic medalist Jordan Larson @gov1007 for @espn. In the pre-production call with the creative team, I suggested a couple of techniques I could use as a way of capturing her power and grace…
Read MoreButch Reynolds X EPSN 30 for 30: False Positive
My earliest memory of the Olympics was watching the summer games in 1988. I remember being mesmerized by the South Korean flag, which I drew in the margins of every school notebook I had. My father was a massive sports fan— specifically anything involving Ohio State— so I’d heard all about @butchreynoldsofficial , who was not only representing OSU in Seoul, but went on to take home a silver and a gold…
Read MoreSlipknot X Revolver Magazine Photo Shoot
This shoot was a make-it-work situation, if ever there was one. I was given 30-minutes to shoot a magazine cover as well as individual portraits of each member of @slipknot for @revolvermag. Apparently I didn’t think this was tall enough of an order, so I decided to shoot four different color schemes, both with and without a prism…
Read MoreMultiple Exposure Portraits with Roarie Yum
My studio is located within @thefort614, which is a 130 year old warehouse on the south side of Columbus. It used to be the home of the Seagrave Company, which used the space to manufacture fire engines and other rescue vehicles, for over 60 years. Every square inch of the building has a glorious patina that can’t be faked. The cracked plaster, distressed flooring, and sun-faded glass is something especially rare in this fast growing city, populated with new builds…
Read MoreImages From the May Creative Portrait Workshop
Here are some of my favorite images from my latest Creative Portrait workshop. As you can see, we covered a braod range of techniques over the two day class.
Read MoreMultiple Exposure Portraits with Rigid Textures
Last year I explored fluidity quite a bit in my work, and this year I’ve been gravitating towards rigidity. To create these images I wandered around taking photos of a range of textures, which I used as a base layer to make in-camera multiple exposures in two portrait sessions.
Read MoreIdentity: A Commission by Unsplash+
The team at Unsplash reached out to me to commission a body of work around the theme of identity. Identity is such a broad, subjective concept that I ultimately used several different technical approaches to create the portraits…
Read MoreMachine Shop Photo Shoot with In-Camera Multiple Exposures
My inspiration for this shoot was two-fold: the movie, Tetsuo: The Iron Man, and the cover of The Industrial Culture Handbook…
Read MorePhoto Shoot with Ballerina Dancer
I rarely go into a shoot with a fixed notion of how I want it to go, or how I want the images to look. I often base my techniques, color palette, and post processing on what the moment dictates…
Read MoreShelby X Creative Portrait Workshop
I had a blast hosting a sold out workshop at my studio this past weekend. Thank you to my students for coming from places as far away as Boston, Seattle, and the Cayman Islands. Shout out to my incredible models (@yesandso seen here) for making it easy to turn these techniques into moving art.
Read MoreEyes and Ears and Mouth and Nose (Head and Shoulders Knees and Toes)
It’s been nearly five years since I’ve photographed @kate_sweeney and it was interesting to see the parallel in tone with our last shoot (third eye vibes)…
Read MoreWe Are More Than the Sum of Our Parts: A Photographic Pushback Against Artificial Intelligence
Many AI images look are impressive at first, in a too-good-to-be-true kind of way. Interiors brag gravity-defying architecture, or scenic terrains depict features that have never before been seen on this planet. However, there is inevitably an element that seems off when viewing these images. They are too perfect, and lack the tactility and weight that feels believable, a phenomenon referred to as the uncanny valley. This begs the question, are AI images a success or a failure? Are they successfully creating visions of an ideal human or world according to some programming and an amalgamation of stock imagery, or are they a failure in coding, with the author lacking the awareness to include nuance and imperfection in their vision? Its these details that, I’d argue, that inform us that a person or a place is real…
Read MoreKinstugi and the Art of Self-Care: Adult Survivor of Childhood Abuse
Kintsugi is the Japanese art of repairing a broken vessel with a precious metal, such as gold or platinum. A repaired vessel isn’t the same as it was before the trauma, nor is it diminished. The essence of the original vessel is still there, but golden scars now trace the lines where the fracture occurred…
Read MoreWarped and Fragmented Portraits of Rachel
I had a blast playing around with a range of different prisms, refraction panels, and ring lights last week with @rachelluree. As always, these effects were created in-camera, with the only post work done being color grading in Lightroom.
Read MoreFluid Portraits Commission by Unsplash+
These images were all created using in-camera effects. No Photoshop was used— only color grading in Lightroom.
I was recently commissioned by Unsplash+ to create a library of fluid portraits. Last year I began working on a new body of images where I explore fluids and in-camera multiple exposures. My Canon 5DIV allows me to select an image from my memory card and overlay it on my viewfinder, when in “live view”, which allows me to intentionally compose multiple exposures. Even though I know more or less how the fluid and the portrait will merge, there is always a moment of surprise when the final image pops up on my screen. As you can see in the gallery below, the same fluid shot will produce wildly different results depending on how the subject is light, the clothes they’re wearing, their hair, the complexion of their skin, etc. This makes each image a one-of-one.
Read MoreAvatar: The Last Airbender Photo Shoot for Entertainment Weekly
This is one of those achievement-unlocked moments for me. Since I first picked up a camera as a teenager (27 years ago 😱), one of my dreams was to shoot for @entertainmentweekly. A few weeks ago that dream came true, when I was given the opportunity to shoot the cast of the new, live-action adaptation of @avatarnetflix, which premieres next month on @netflix.
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Zenith Pilot Big Date Flyback Editorial for Road & Track Magazine
I’m excited to share this editorial that I did for @roadandtrack magazine. I’ve been working with fluids such as food dye and ink a lot lately and decided to use them in this shoot to create an elemental feeling, fitting with the theme of the issue: air. I find a still life to be harder to photograph than portraits because there are no happy accidents. All you get out of a shoot is whatever you put in.
Huge thanks to @cassidyzobl for the trust and opportunity. Swipe for #BehindTheScenes
Astral Projection: Psychedelic Fashion Shoot with Foxx Smoulder
In an effort to keep things interesting as well as continue to evolve as an image maker, I’ve learned to embrace an element of chaos in my portrait sessions. In the case of this shoot I set up a series of controls, such as a strobe and a projector, and then I added the unpredictable element of video…
Read MoreNew Flower Portraits and a Fine Art Print Sale
Historically, whenever I create something that I’m really excited about, I immediately get overwhelmed (this latest shoot is case in point). I’ve thought about reasons why it may affect me in this way, and here are just a few…
Read MorePhoto Shoot with a Projector and Prisms
New work with @fulltime_babe. Been continuing my trip down the prism rabbit hole. I’ve learned the importance of waiting to edit a shoot until I’m in the proper headspace to really explore where the images want to go. The smallest tweak to my color grade can completely change the vibe of an image.
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