Back in November I flew out to LA to shoot two of the members of Muse. One of the members wasn’t able to attend the shoot, so a week later I met up with him in London where I set up a makeshift studio in a lobby. While I was shooting at the studio in LA I had to be cognizant of the fact that the space I would be shooting in a week later would have to be recreated on a 4-foot wide seamless in a hallway. Thankfully I had the Lindsay Adler X Westcott Optical Spot, which allowed me to control and sculpt light in a small space (historically I would’ve used a projector or flags, which requires working in a dark or large space)…
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Shoot with Fashion Photographer Gail Shamon
This was a fun, quick little shoot with fellow photographer and friend @gabrielleshamon. Gail did her own hair, makeup, and styling. I did three lighting setups, sticking to a red/yellow/blue color triad. I simply rotated out gels on my main, background, and rim lights for each set. This allowed me to have a broad range of looks that still felt related to each other, all in a short amount of time (I think we shot for about 45 minutes).
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Hair / Beauty Shoot with Chyna Tené
A few weeks ago my friend and frequent collaborator @chyna.tene stopped by my studio to hang out. She brought some of her crafting materials with her to work on some of her art while we chatted. We got to talking about hair and I showed her a book of hair portraits from J.D. ‘Ojeikere before suggesting that we do a similar, hair-themed session. She selected some jewels and I cut some strips of wire from her crafting materials and we styled her hair in several different ways. I used the @lindsayadler_photo x @westcottlighting Optical Spot and gobos to illuminate her in a variety of patterns. The whole shoot only took about 45 minutes but the act of creation and collaboration stuck with me for the rest of the day.
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Femme Fatale Vibes with Molly Ridge
This was a short, impromptu study of color and mood, with Molly Ridge. Once again I used the Lindsay Adler Optical Spot to create sharp, bold shadows.
Read MoreShoot with Ballerina Francesca Jordan Dugarte
My latest attempt at capturing the beauty of movement over time. Been exploring long exposures while rotating my @prismlensfx linear filter and multi-strobing my flash. Excited at the possibilities! Also really loving the hard light and fast falloff I can get with my @lindsayadler_photo @westcottlighting Optical Spot.
Read MoreAll the Things with Annika
This was my first shoot with Annika Peterson and we did all the things. I started off with some light lighting, using a black fiber optic brush and orange gel from Light Painting Brushes. After that I explored making long exposures while rotating a linear prism FX filter and multi-strobing my flash. Finally, I took some shots with my fungus-filled lens, using shutter drag and an LED with changing colors.
Read MoreInterplay: Exploring the Relationship Between Light and Movement with Dance Couple Carly and Gabe
Last October I began experimenting with wrapping dancers in LEDs and making long exposures in the dark. In essence this turned the black room into a blank canvas and the lights turned the dancers limbs into (light) paint brushes (check out the old post here). Since that point I had it in the back of my mind to use this technique when photographing a dance duo to see how their light trails interacted. That time has finally come…
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