As some of my longtime followers know, I’ve had a complicated relationship with social media. In 2019 I was experiencing so much anxiety that I permanently deleted all of my accounts (60,000 followers over 3 platforms) with no plans to return. I spent the next year off the grid. Though I’d already been in therapy for years I also began going to a support group for adult survivors of childhood abuse (ASCA). I started climbing and began regularly cycling again. The combination of processing trauma, moving my body, and removing myself from situations and relationships that exacerbated my anxieties, I began to heal…
Read MoreFlea of Red Hot Chili Peppers for Los Angeles Times
Flea has a new podcast called “This Little Light”, on which he interviews a broad range of people from the music industry such as Patti Smith, Earl Sweatshirt, and Rick Rubin, thus mirroring his own diverse taste in music. When Calvin Alagot asked me to make portraits of Flea for the Los Angeles Times, I began thinking of different techniques that I could employ in an effort to reference the breadth and length of Flea’s career as well as his influence in the music world.
Read MoreCyberpunk Photo Shoot for Unsplash+
I was recently commissioned by Unsplash to create a series of cyberpunk-inspired images. Though the cyberpunk aesthetic is especially trendy as of late, it has held a spot near to my heart ever since I was a teen in the nineties…
Read MoreWhy We Choose to Suffer: Conceptual Portrait for Wall Street Journal
I was recently commissioned to create a conceptual portrait to accompany the @wsj article, “Why We Choose to Suffer.” The essay is an excerpt from Paul Bloom’s upcoming book, The Sweet Spot: The Pleasures of Suffering and the Search for Meaning, which touches on why we humans often choose things that create unpleasant moments for ourselves, and how these moments can ultimately lead to growth and even pleasure…
Conceptual Photo Shoot on Vision for The Wall Street Journal
In today’s edition of the @wsj there’s an incredible article written by Susan R. Barry about eyesight. The piece focuses on Liam McCoy who, at the age of 15, underwent corrective surgery to give him the ability to see. As Barry articulates in the essay, when a blind person gains the ability to see later in life “the improvements [are] discombobulating. Surgery plunged Liam into a world of sharp lines and edges. While we all see lines at the boundaries of objects or shadows, we know where these lines belong. We recognize an object immediately—all of its parts combine together, instantly and effortlessly, into a single unit. But after a childhood of near-blindness, Liam did not recognize the lines as boundaries of known objects. Instead, he saw a tangled, fragmented world.”
This is where I enter the equation…
American Lung Association: Keeping Student Bodies Healthy
Back in December I teamed up with the creative team at Fahlgren Mortine to shoot an anti-smoking campaign for the American Lung Association. Bill Fioritto, one of the creative director at Fahlgren, came up with the concept of a group of students (aka student body) all posing together to create the shape of lungs, to accompany the tagline: keeping student bodies healthy. Since we were in the middle of a pandemic I suggested that we shoot 8 different models in a range of poses and outfits that could be composited together later on. I thought that it’d be advantageous to book dancers as half of the roles since they could offer much more dynamic poses, giving us more options when it came to compositing the final image. Thanks to all the models for doing an amazing job, as well as to Ryan Wyss, the composite artist. Finally, thank you to Bill and the rest of the team at Fahlgren Mortine. This was a really cool project to work on.
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