Back in the lab, making galaxies. I created these images with vegetable oil, seltzer water, and food coloring. Now it’s time to use these in a portrait session, both as projections and as multiple exposures.
Read MoreWe Are More Than the Sum of Our Parts: A Photographic Pushback Against Artificial Intelligence
Many AI images look are impressive at first, in a too-good-to-be-true kind of way. Interiors brag gravity-defying architecture, or scenic terrains depict features that have never before been seen on this planet. However, there is inevitably an element that seems off when viewing these images. They are too perfect, and lack the tactility and weight that feels believable, a phenomenon referred to as the uncanny valley. This begs the question, are AI images a success or a failure? Are they successfully creating visions of an ideal human or world according to some programming and an amalgamation of stock imagery, or are they a failure in coding, with the author lacking the awareness to include nuance and imperfection in their vision? Its these details that, I’d argue, that inform us that a person or a place is real…
Read MoreKinstugi and the Art of Self-Care: Adult Survivor of Childhood Abuse
Kintsugi is the Japanese art of repairing a broken vessel with a precious metal, such as gold or platinum. A repaired vessel isn’t the same as it was before the trauma, nor is it diminished. The essence of the original vessel is still there, but golden scars now trace the lines where the fracture occurred…
Read MoreWarped and Fragmented Portraits of Rachel
I had a blast playing around with a range of different prisms, refraction panels, and ring lights last week with @rachelluree. As always, these effects were created in-camera, with the only post work done being color grading in Lightroom.
Read MoreImages From January's Creative Portrait Workshop
Here are a handful of my favorite images from January’s Creative Portrait workshop. I’ve been teaching workshops since 2011 and have been slightly modifying the format each time until I found the current iteration. I now cap the two-day class at five students, which allows for more hands-on time and exploration of each technique. Since there are endless variations that can be created from any one of the techniques that I teach, I start by showing the class three iterations, and then I guide them, one at a time, in helping them fold it into their own visual style. This allows students to really retain the knowledge, as well as work it into their personal style.
Read MoreFluid Portraits Commission by Unsplash+
These images were all created using in-camera effects. No Photoshop was used— only color grading in Lightroom.
I was recently commissioned by Unsplash+ to create a library of fluid portraits. Last year I began working on a new body of images where I explore fluids and in-camera multiple exposures. My Canon 5DIV allows me to select an image from my memory card and overlay it on my viewfinder, when in “live view”, which allows me to intentionally compose multiple exposures. Even though I know more or less how the fluid and the portrait will merge, there is always a moment of surprise when the final image pops up on my screen. As you can see in the gallery below, the same fluid shot will produce wildly different results depending on how the subject is light, the clothes they’re wearing, their hair, the complexion of their skin, etc. This makes each image a one-of-one.
Read MoreAvatar: The Last Airbender Photo Shoot for Entertainment Weekly
This is one of those achievement-unlocked moments for me. Since I first picked up a camera as a teenager (27 years ago 😱), one of my dreams was to shoot for @entertainmentweekly. A few weeks ago that dream came true, when I was given the opportunity to shoot the cast of the new, live-action adaptation of @avatarnetflix, which premieres next month on @netflix.
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Zenith Pilot Big Date Flyback Editorial for Road & Track Magazine
I’m excited to share this editorial that I did for @roadandtrack magazine. I’ve been working with fluids such as food dye and ink a lot lately and decided to use them in this shoot to create an elemental feeling, fitting with the theme of the issue: air. I find a still life to be harder to photograph than portraits because there are no happy accidents. All you get out of a shoot is whatever you put in.
Huge thanks to @cassidyzobl for the trust and opportunity. Swipe for #BehindTheScenes
Facing My Shadow Self
Five years ago my dear friend and mentor Sara Lando challenged me to turn my camera on myself, but I wasn’t ready. In the time that has passed since I was her student, I have been faced with more than a few dark nights of the soul. I have been forced to look critically at what I’ve experienced and endured in my life, and learn to accept all of it— the good with the bad— because the whole messy lot of it is what makes me, me. As such, I am warily venturing out into a new series of self-portraits…
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Astral Projection: Psychedelic Fashion Shoot with Foxx Smoulder
In an effort to keep things interesting as well as continue to evolve as an image maker, I’ve learned to embrace an element of chaos in my portrait sessions. In the case of this shoot I set up a series of controls, such as a strobe and a projector, and then I added the unpredictable element of video…
Read MoreNew Flower Portraits and a Fine Art Print Sale
Historically, whenever I create something that I’m really excited about, I immediately get overwhelmed (this latest shoot is case in point). I’ve thought about reasons why it may affect me in this way, and here are just a few…
Read MorePhoto Shoot with a Projector and Prisms
New work with @fulltime_babe. Been continuing my trip down the prism rabbit hole. I’ve learned the importance of waiting to edit a shoot until I’m in the proper headspace to really explore where the images want to go. The smallest tweak to my color grade can completely change the vibe of an image.
Read MoreGlowing Halo Photo Shoot (In Camera Effect)
This glowing halo effect is latest technique that I’ve been exploring. The possibilities are as exciting to me as they are overwhelming. I want to dive in and try everything at once, but I’ve learned to let the process dictate the pace…
Read MoreI Discovered a New In-Camera Glow Effect
This was my first shoot exploring a new technique, and I’m ecstatic at the potential. This is just the tip of the iceberg. I’d love to shoot a music video in this style, so hit me up if you’re in the market for one.
Read MoreMore Images From Glow Workshop
Here are some of my favorites from my latest workshop. Thank you @ademolarizzy for bringing so much energy to the images and thank you to my students for coming out to make art with me.
Read MoreLifestyle Photo Shoot for Luxury Apartments at Kings Cross in London, England
Back in January I flew out to London to create a library of images for Author, a new luxury apartment complex in Kings Cross…
Read MoreImages From the Glow Photography Workshop
Here are a few selects from my “Glow” workshop this past weekend. One of my favorite things about teaching is that I often end up discovering new things, such as this concentric circle halo effect that I stumbled upon…
Read MoreThe Galaxies Within Us: In-Camera Multiple Exposure Portraits with Liquid
My latest with @yungallyce, exploring the galaxies within us. My upcoming exhibition is on October 14 (in just 12 days!) and I’d love to see you there. If you’re unable to attend in person but are interested in acquiring some art, you can order books here. If you’re interested in order prints, you can view the proofs and email nick@nickfancher.com with the filenames and sizes that you’d like.
Read MoreTutorial and Preset For Sale!
If you’re interested in learning how to create these in-camera effects, I have three video tutorials that detail my entire process. Each episode covers a wide range of techniques and includes everything from coming up with a concept and subject direction to camera settings and how I color grade the files in Lightroom. More info here
Read MoreLess Is More: Slowing Down with Sondos
Lately I’ve been intentionally slowing down the pace in which I engage life. Though I’ve never been good at being still or meditating, I have found lately that stillness is what I’ve been craving the most. My favorite pastime these days is to sit in what others might call silence and listen to the sounds of the world around me. Crickets chirping; the wind moving through the trees; jets passing overhead; neighbors listening to a ball game on their porch radio. If I can manage to stop thinking about each individual sound, I can start to hear them all as one, and accept my place within it.
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