This was my first shoot with Annika Peterson and we did all the things. I started off with some light lighting, using a black fiber optic brush and orange gel from Light Painting Brushes. After that I explored making long exposures while rotating a linear prism FX filter and multi-strobing my flash. Finally, I took some shots with my fungus-filled lens, using shutter drag and an LED with changing colors.

After I did all the weird, artsy shit out of my system we simplified and created some high-contrast black and white images. I used the Lindsay Adler Westcott Optical Spot to create the hardest light I’ve ever seen. I’m completely in love with this lighting modifier.